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DAILY HEADS | INTERVIEW + TRACK REVIEW

Updated: Nov 9

DAILY HEADS RELEASED AN EP AND WE'RE PRETTY NOSEY OVER HERE AT WIZARD WATER, WE THOUGHT WE'D DIVE RIGHT IN.


In this interview, we dive into the world of Daily Heads, a five-piece alternative rock band from South Australia that’s quickly making a name for themselves with their eclectic sound and honest storytelling. With their debut EP *Nothing is Yours, Nothing is Mine*, the band has captured the attention of fans and critics alike, offering a glimpse into their wide-ranging musical influences and the experiences that have shaped their journey so far. We sat down with the band to discuss their latest single "Get Used To It," the dynamics of creating music during a transitional phase, and what fans can expect from their evolving sound. Join us as we explore the creative process and the exciting future that lies ahead for Daily Heads. This is a paid collaboration with Daily Heads


TRACK REVIEW


"Get Used To It" hooks you from the very first note with a catchy intro that immediately evokes a sense of Australian pub rock nostalgia. It’s as if Mac DeMarco decided to take his laid-back charm to an old dusty pub in South Australia, blending those familiar vibes with a fresh, modern twist. The interplay between the floor tom and ride cymbal in the pre-chorus creates a dynamic push and pull that adds an extra layer of depth to the track, leaving you completely immersed in the groove. The closing line, "I guess we'll get used to it," is the perfect ending, encapsulating the song's laid-back yet reflective mood. This track is a standout, and I’m stoked to hear what comes next from these lads!



Ferny Fairway band from. the Gold Coast

Your debut EP Nothing is Yours, Nothing is Mine was released late last year. Can you share the inspiration behind this collection of songs and how it reflects your wide-ranging musical tastes?



The inspiration for our EP came from lots of different musical corners. It’s really difficult to pin point one thing in particular but what did make the EP so diverse was everyone putting in their own little flavour. Leigh is a hard rock man at heart so we had to close it out with a heavy one as an ode to his childhood Black Sabbath dreams. Hennas loves a chill, dreamy sound that sends you floating on a cloud to an even more relaxed destination. North enjoys a nice cool jammy song. I spend my time grazing in the wide open plains of alternative rock and our drummer at the time Cody had a fast paced, punky approach to his playing. With all these combined, each song got a nice dose of us and ultimately shaped the sound scape for Nothing is Yours, Nothing is Mine.


The single “Get Used To It” has been highlighted as a standout track from your EP. What was the creative process like for this song, and how does it fit into the overall theme of the EP?


The making of 'Get Used To It' may have been our easiest song from start to finish. Once the riff and melody were down it was then just about finding a simple structure for it, figuring out the right pace and adding a few layers over the top. It’s our first attempt at an indie pop rock song and with its simplicity and lightness, it fits nicely among some of our more jammy, psychy songs.


You mentioned that your EP features songs that don’t have much in common with each other but come from the same organic background. How did you approach creating such diverse tracks while maintaining a cohesive sound?


Some of the songs on the EP like “The Dalby Dog” and “Thirsty Lips” date back to when we first starting writing songs in 2018 and others were written not long before we started laying some tracks down, such as “Cocoon” and “Farmer Flanders”.  Seeing Dalby and Thirsty evolve over the years has been cool. The Dalby Dog of 2018 isn’t the same dog today, and those lips are far more parched now than what they were, but they still hold the same structure and integrity as they did back then. They just have a new perspective that comes with half a decade of life.


You’re currently going through a transitional phase with a new drummer. How has this change impacted the bands dynamic and the direction of your music?


It’s been really cool jamming with my brother Luke, We didn’t have to search too far and wide for him either, being from the same family tree it’s made the transition super easy. He’s got a real smooth and calm style of drumming with some energy that is ready to erupt. Since he’s been jamming we’ve been running over the current songs but have also been getting down lots of new material which we feel is taking us to a more mature song writing approach with a more refined soundscape that sends a listener on a journey.


With new material in the works, how are you approaching your songwriting and recording process differently this time around compared to your first EP?


We’ve decided to jump into the deep rabbit hole of recording and mixing music ourselves. So far the process has been fun and rewarding but we have bucket loads to learn. We’re really trying to dial in our sound and find a true identity as a band and going down the DIY track seems to be the most creatively free way to find it.


Can you give us a sneak peek into some of the themes or sounds we can expect from your upcoming projects? How are you evolving as a band?


Lyrically there is a lot on mental health and the ebbs and flows of being a human. Everyone is going through their own unique experiences but ultimately we are all very similar in the way we go about life. It’s nice to remind ourselves we aren’t alone. 


There is also some fun songs about love, the Adelaide climate and government workers who hunt insects.


Sound wise there is definitely a nice blend of things. Expect some good fast energy that instrumentally flows back and fourth between surfy psych punk and chill indie rock.


As a band that clearly values the camaraderie and shared experiences of its members, how do those experiences influence your music and the messages you want to convey?


We’ve all been in each others lives for quite some time now which makes jamming more of a ‘lets hang out and catch up’ than a structured business plan. We still take things seriously when we need to though. Leading up to a gig or a recording session we all knuckle down and tighten the screws but we definitely don’t force anything. If it’s not flowing, it ain’t going.


How does the South Australian music scene influence your sound, and what role do you see Daily Heads playing in the local music community?


Being from a smaller town like Adelaide it’s really important to have a close music community. We’ve only been on the scene for a couple years but everyone we’ve meet so far have been friendly, like minded folks who love music and just want to express themselves through it. Once you dip your feet in the pool you see how deep it really is. It’s inspiring how much talent is around and it makes us want to play more shows and get tighter as a band so we can show people that if a group of mates like us can have a crack, anyone can. The South Aus scene is on the rise and we really want to be apart of that.


Reflecting on your journey from frothing at muddy camping festivals to releasing your own music, what have been some of the biggest challenges and rewards along the way?


A 22 hour straight drive home from Splendour comes to mind… and trying to get our booze in as well required a lot of stealth and strategic planning.. But seeing bands that you may never get a chance to see again and experiencing some of the funnest times that come with a 3-5 day bender are memories that will stay forever.


As far as the band goes, playing our first gig was a long time coming and required a lot of self belief and un-tapped confidence, but as many know, the feeling after playing a show, even if it’s in a small pub with close friends is absolutely electric.


Looking ahead, what are your goals for the future of Daily Heads, both in terms of upcoming releases and your presence in the Australian music scene?


We just want to keep playing shows and releasing music that we like playing. I feel like we will continue to do that no matter what results we get, as long as we are having a good time and enjoying ourselves whatever will be, will be music, and release it on streaming services.


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