NEWS

Some bands are born from a grand vision. Others start with a practice room, a few shared influences, and a strange run of coincidences. For May66, it was rent, a bar tab, and a table number that all happened to land on the same figure. But beneath the playful origin story is a band built on something far more enduring: friendship, collaboration, and a shared love of creating music together. Their debut album moves through themes of love, loss, longing and acceptance, collecti

Most grief records ask you to sit quietly with your sadness. BONFIRE asks you to dance with it. Step into their world and you’ll find flashing lights, euphoric synths, disco grooves and dancefloor energy colliding head-on with loss, longing, identity and survival. It sounds contradictory on paper. In practice, it feels startlingly honest. Because grief rarely arrives neatly packaged as melancholy. Sometimes it arrives while you’re laughing with friends. Sometimes it arrives i

GIDDY isn't interested in grand declarations or neat endings. On her debut record, songs for awkward spaces, she turns her attention to the moments most people struggle to talk about — the tensions, uncertainties, repairs and quiet emotional negotiations that exist between the beginning and end of a relationship. Rather than chasing cinematic highs or heartbreak anthems, GIDDY finds beauty in the messy middle. It's a fitting approach for an artist whose path to music has been

For some artists, music is entertainment. For El Marcos, it’s survival. Describing his creative process as “The Gift Of The Curse,” the Dallas artist channels the highs, lows, scars and victories of lived experience into deeply personal music that refuses to hide behind image or ego. Drawing inspiration from hip hop, alternative rock, classic rock and R&B, his songs aren't built around fantasy — they're built around honesty. In a genre that can often reward detachment, El Mar

In an era where heavy music is increasingly built inside a computer before it's ever played by human hands, Descent are moving in the opposite direction. Their latest EPs, Descent and The Gates of Purgatory, were recorded with an almost stubborn commitment to real performance — no quantized drums, no programmed parts, no pitch correction, and very little interest in chasing modern perfection. For Descent, heavy music isn't about flawless execution. It's about energy, atmosphe

Some bands write songs. Others seem to spend years collecting fragments of conversations, half-forgotten stories, old folk traditions, strange observations and fleeting emotions before carefully stitching them together into something that feels lived-in. That’s the world this band inhabits. Whether charging headfirst through the restless energy of Trainwrecks in Training or settling into the reflective quiet of Someday, Not Tomorrow, their music feels less concerned with fitt

Tyran Lee Ingram speaks about music less like an industry and more like a personal mission stitched together through faith, discipline, survival and persistence. His story doesn’t move in a straight line. It drifts between military structure, pandemic isolation, Los Angeles ambition, unanswered opportunities and a constant search to be understood correctly in a world that often rewards performance over honesty. There’s something uniquely unfiltered about the way Tyran talks a

Appletinis make the kind of music that feels like laughing too hard while your life quietly falls apart underneath it. Their songs arrive dressed in sharp indie-pop hooks and conversational charm, but beneath the surface sits something far messier — emotional exhaustion, self-awareness, disillusionment and the uncomfortable clarity that comes after romanticising the wrong people for too long. There’s a reason the band chose a name as playful as Appletinis while writing songs

Kyle William Anderson writes songs like someone pacing the room at 2am with too many thoughts and too many unfinished ideas open at once — not trying to tidy the chaos, just trying to survive honestly inside it. His music doesn’t chase perfection or genre loyalty. Instead, it moves instinctively between dark pop, alternative rock, electronic haze and emotional confession, capturing the feeling of a mind constantly shifting between clarity and collapse. Grab Bag – Season 1 emb

There’s something beautifully weathered about D Henry Fenton’s music, like old motel signs glowing somewhere off a desert highway at midnight. His songs don’t rush toward resolution or easy answers. Instead, they drift through memory, longing, reflection and emotional uncertainty with the patience of someone who has spent years quietly collecting stories across continents, studios and late-night drives. Blending Americana, shoegaze haze and classic songwriter warmth, Fenton c

For Julian Quander, music was never confined to one city, one audience or even one version of himself. After spending more than fifteen years performing across China, building a career thousands of miles from where he started, returning to America didn’t feel like coming home so much as stepping into another unfamiliar chapter entirely. That tension between movement, reinvention and self-belief sits at the heart of his world. Beneath the glossy Pop/R&B energy, cinematic visua

Some artists spend their lives searching for a sound. Erik Rabasca sounds like someone who spent years searching for truth inside sound itself. Across decades of musical evolution — from reggae and improvisation through to folk, Americana and spiritually grounded songwriting — Rabasca has never approached music as costume or identity. Instead, his work feels guided by curiosity, patience and a deep respect for the roots beneath every genre he touches. His latest chapter, New

Some artists spend their lives chasing the spotlight. Dave G spent decades behind it, shaping records, engineering sessions and helping define the sound of other artists before finally turning fully toward his own voice. Having worked alongside names connected to Tupac, Digital Underground and Roc-A-Fella during one of music’s most culturally explosive eras, Dave carries the perspective of someone who witnessed the industry at its rawest and most soulful. But this story isn’t

Some records feel less like albums and more like the quiet conversations people have with themselves while driving home alone at night. Everything Will Be Okay lives in that space. Built from slow-burning Americana, reflective songwriting and deeply human imperfections, Shake the Dust create music that doesn’t try to escape hardship so much as sit honestly beside it. Across the album, moments of loneliness, resilience, ageing, uncertainty and hope drift in and out like passin

Some music feels designed for distraction. Lou Fin’s music feels designed for the moments after the noise finally stops. Built from intimate songwriting, self-produced experimentation and deeply personal reflection, her songs don’t demand attention so much as quietly invite you inward. There’s a rare honesty running through her work, one that embraces imperfection, difficult emotions and the uncomfortable realities people often avoid saying out loud. Drawing from experiences

Some artists chase genre. Netanya seems more interested in chasing feeling. Pulling from future house, hard dance, hyperpop, R&B and emotionally charged electronic pop, the project exists in this constantly shifting space where vulnerability and intensity collide head-on. Underneath the distorted basslines, euphoric drops and club-ready energy is something much more personal: music built around emotional extremes, connection, chaos and release. Rather than locking into one so

Some artists spend years trying to perfect a polished identity before releasing anything into the world. Myslie feels like the opposite of that. Built from isolation, experimentation, emotional obsession and an almost stubborn commitment to authenticity, the project exists somewhere between video game world-building, diary entries, karaoke confessionals and self-taught sonic exploration. What began as a necessity for a passion project slowly evolved into something much larger

There’s something refreshing about Jenny X’s approach to rock music. In a time where so much feels polished, curated and carefully calculated, The Right Side embraces the rough edges instead, emotionally, lyrically and sonically. Built around angular guitars, raw performances and deeply human songwriting, the Gloucester, Massachusetts band manage to capture something increasingly rare: honesty without pretension. The track wrestles with change, self-reflection and the uncomfo

There’s a certain kind of honesty that only appears when an artist strips everything back to the core of the song itself. For Los Angeles artist Kamran Feiz, Strings Live marks a bold departure from the safety of distortion, volume and traditional rock arrangements, replacing them with something far more exposed: orchestral space, silence, tension and emotion. Centered around the powerful track City of Stone, the project feels cinematic without losing its humanity, balancing

Some artists write songs. Others seem to build entire emotional landscapes around them. Ziric The Wanderer sits somewhere in that rare space where music feels less like a collection of tracks and more like a wandering world built from memory, curiosity, humour and quiet reflection. Blending folk foundations with drifting indie textures, bossa nova influences and deeply human storytelling, the Los Angeles-based project feels both deeply personal and strangely universal at the